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English adj : of or relating to or characteristic of England or its culture; "English history"; "the English landed aristocracy"; "English literature" n 1: an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the Commonwealth countries syn English language 2: the people of England syn English people, the English 3: the discipline that studies the English language and literature 4: (sports) the spin given to a ball by striking it on one side or releasing it with a sharp twist syn side Source: WordNet. Princeton University
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The Holy Bible, English Standard Version (with Cross-References) by Crossway BiblesCrosswayThe English Standard Version (ESV) Bible is an essentially literal Bible translation that combines word-for-word precision and accuracy with literary excellence, beauty, and depth of meaning. The ESV Bible is equipped with an enhanced navigation feature. Kindle's index feature can be used to navigate directly to any verse. This feature is not supported on the Kindle 1 or any Kindle applications. This edition includes cross-references within the text. The English Standard Version (ESV) Bible is an essentially literal Bible translation that combines word-for-word precision and accuracy with literary excellence, beauty, and depth of meaning. The ESV Bible is equipped with an enhanced navigation feature. Kindle's index feature can be used to navigate directly to any verse. This feature is not supported on the Kindle 1 or any Kindle applications. This edition includes cross-references within the text. Pride and Prejudice (The Penguin English Library) by Jane AustenPenguin ClassicsAusten's comedy of manners--one of the most popular novels of all time--features splendidly civilized sparring between the proud Mr. Darcy and the prejudiced Elizabeth Bennet as they play out their spirited courtship in a series of 18-century drawing-room intrigues. Reissue. "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground. Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber A Tale of Two Cities (Penguin English Library) by Charles DickensPenguin ClassicsThe spectre of the French Revolution--the rumbling of the death carts, thethud of the guillotine, the ferocious mobs and the storming of the Bastille--isvividly portrayed in this lavish BBC production, complete with a full cast andstirring music. Dickens' epic tale is a listening experience to betreasured. Alice in Wonderland (Oxford English Novels)by Lewis CarrollOxford University PressFor over 125 years John Tenniel's superb illustrations for Alice's Adventures in Wonderland have been the perfect complement to Lewis Carroll's timeless story. In that time Alice has been illustrated by numerous artists, but not one has come close to matching the universal appeal of the original pictures. This is the first Alice to reproduce Ternniel's exquisite drawings from prints taken directly from the original wood engravings. Here, Tenniel's fine line work is far crisper, delicate shadings are reproduced with more subtlety, and details never seen before are now visible. Like most nineteenth-century children's books, the pictures for Alice were created by transferring the artist's drawings to woodblocks, But with Alice, the original blocks served as masters from which metal plates were made for printing. Unfortunately, these plates deteriorated from the repeated pressure applied during printing, and over time, many of the fine lines in Tenniel's pictures simply vanished altogether.As the year-, passed, the original woodblocks disappeared and were believed lost; then, in 1985 they were discovered in a London bank vault. Now, for the first time, prints from these woodblocks have been used to produce a deluxe gift edition with clearer, more detailed images than have ever been seen before. At last, readers can see the Alice that Carroll and Tenniel had originally envisioned. Source of legend and lyric, reference and conjecture, Alice's Adventures in Wonderland is for most children pure pleasure in prose. While adults try to decipher Lewis Carroll's putative use of complex mathematical codes in the text, or debate his alleged use of opium, young readers simply dive with Alice through the rabbit hole, pursuing "The dream-child moving through a land / Of wonders wild and new." There they encounter the White Rabbit, the Queen of Hearts, the Mock Turtle, and the Mad Hatter, among a multitude of other characters--extinct, fantastical, and commonplace creatures. Alice journeys through this Wonderland, trying to fathom the meaning of her strange experiences. But they turn out to be "curiouser and curiouser," seemingly without moral or sense. For more than 130 years, children have reveled in the delightfully non-moralistic, non-educational virtues of this classic. In fact, at every turn, Alice's new companions scoff at her traditional education. The Mock Turtle, for example, remarks that he took the "regular course" in school: Reeling, Writhing, and branches of Arithmetic-Ambition, Distraction, Uglification, and Derision. Carroll believed John Tenniel's illustrations were as important as his text. Naturally, Carroll's instincts were good; the masterful drawings are inextricably tied to the well-loved story. (All ages) --Emilie Coulter Autobiography of Benjamin Franklin (Chinese and English) (Paperback) by BEN JIE MING ?FU LAN KE LIN (Benjamin Franklin)UnknownHow To Make? Devonshire Tea With Scones, Strawberry Jam ?and Clotted Cream (Authentic English Recipes) by Geoff WellsGeezer GuidesHow To Make Devonshire Tea With Scones, Strawberry Jam and Clotted Cream How To Make Devonshire Tea With Scones, Strawberry Jam and Clotted Cream Great Expectations (English Library) by Charles DickensPenguin BooksThis endearing tale of Pip and the mysterious fortune that changes his life will be in theaters this fall from 20th Century Fox/Knickerbocker Films, starring Robert DeNiro, Ethan Hawke, Gwyneth Paltrow, and Anne Bancroft. An absorbing mystery as well as a morality tale, the story of Pip, a poor village lad, and his expectations of wealth is Dickens at his most deliciously readable. The cast of characters includes kindly Joe Gargery, the loyal convict Abel Magwitch and the haunting Miss Havisham. If you have heartstrings, count on them being tugged. Jane Eyre (English Edition) by Charlotte BronteBordersJane begins life penniless and plain—an unlikely romantic heroine. But she is as indomitable in spirit as she is frail in appearance. Her relationship with Rochester intensifies, until she is forced to choose between the desires of her heart and the demands of a "moral" society. How To Make English Breakfast With Bubble & Squeak & Homemade Baked Beans (Authentic English Recipes) by Geoff WellsGeezer GuidesHow To Make English Breakfast With Bubble & Squeak & Homemade Baked Beans How To Make English Breakfast With Bubble & Squeak & Homemade Baked Beans Little Women by Louisa May AlcottYearlingLittle Women is one of the best loved books of all time. Lovely Meg, talented Jo, frail Beth, spoiled Amy: these are hard lessons of poverty and of growing up in New England during the Civil War. Through their dreams, plays, pranks, letters, illnesses, and courtships, women of all ages have become a part of this remarkable family and have felt the deep sadness when Meg leaves the circle of sisters to be married at the end of Part I. Part II, chronicles Meg's joys and mishaps as a young wife and mother, Jo's struggle to become a writer, Beth's tragedy, and Amy's artistic pursuits and unexpected romance. Based on Louise May Alcott's childhood, this lively portrait of nineteenth-century family life possesses a lasting vitality that has endeared it to generations of readers. |
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